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Had ceased to be a band in the truest sense by the time they recorded their third (and final) full-length album,; the group began to collapse during the touring following Strangers' Almanac, with members coming and going at a remarkable pace, and for the sessions, the only musicians on hand who had appeared on three years earlier were lead vocalist and songwriter and violinist and backing vocalist. Multi-instrumentalist and percussionist/producer dominated the sessions' sprawling cast of players, with and popping up on some tracks. Ultimately, sounds more like a solo project than anything else, and it walks a decidedly different path than the albums that preceded it -- there are no charging rockers in the manner of 'Drank Like a River' or 'Yesterday's News,' and the country twang of 'Too Drunk to Dream' or 'Someone Remembers the Rose' has receded into the background (though Cary's violin and occasional mandolin or steel guitar lines from Daly do add a high-lonesome undertow to several songs, especially the plaintive 'Sit and Listen to the Rain' and 'My Hometown'). This is easily 's most ambitious and eclectic work, and the sparkling pop of 'Don't Be Sad' and 'Mirror Mirror,' the lovely faux-tropicalia of 'Paper Moon,' the haunting tape-loop reverie of 'What the Devil Wanted,' and low-key power balladry of 'Crazy About You' all prove that, despite his reckless public persona, had gained a wealth of maturity and intelligence (at least as a songwriter and recording artist) since the last time he'd entered a recording studio. Was recorded in 1999, but the closing of Outpost Records in the wake of that year's Polygram/ Universal merger put the album on the shelf for two years; in the meantime, developed an underground reputation as a lost classic, and while that description is going a bit far to make a point, it is an undeniably striking and beautifully crafted set of songs, and it's interesting to imagine where this music would have taken if the album had met its original release date -- assuming that was still a band by the time the record was finished.

무서운 년 마흔을 훌쩍 넘겼던 해의 어느 날, 부모님이 우리집에 왔다. 구석방에서 남편을 앉혀놓고 내 이야기를 했다.

부모님이 가고 난 후 남편이 내게 말했다. '자기는 무서운 년이래' 내가 대학을 졸업하자 아버지는 내게 한 푼의 돈도 더 쓰지 않겠다고 선언했다. 나는 대학원에 가야겠다고 했다. 아버지는 더없이 완강했다. 아무리 그런다고 내가 포기하겠나. 나는 새로운 방법을 찾았다.

• Determination of particle density using a large pyknometer (preserving jar). • Determination of bulk density by direct measurement of an undisturbed sample. • Determination of the liquid limit by a one-point cone penetration test. The principal changes to the classification tests included in this edition of the standard are as follows: a) Additions • Determination of the saturation moisture content of chalk. • Determination of shrinkage limit. Bs 1377 part 3 1990.

동생들을 다 모아놓고 연설을 했다. '너희들은 오늘부터 다 학교에서 자퇴해라. 너희들의 월사금은 다 내가 쓰겠다. 너희들 중 한 놈도 밤새워 공부하는 것을 보지 못했다. 우수한 놈도 없고, 학문에 대한 열정이 넘치는 놈도 없다. 미래에 대한 야망도 없는 너희들은 어정쩡한 놈들이다. 그러니 너희가 돈을 쓰는 것은 국가와 민족의 낭비다.

너희들이 목숨을 부지하기 위해서는 교통표지판과 날아오는 고지서만 읽을 줄 알면 충분하다. 너희들은 이미 한글을 깨쳤으니 그만 공부해라. 그렇지만 나는 너무나 우수하다.

지금 공부를 중단한다는 것은 민족 자원의 훼손이다. 내 민족의 장래에 먹구름이 끼는 것이다. 그러니 너희들이 더 이상 돈을 안 쓰는 것은 애국 애족하는 길이다.'

동생들은 입을 쩍 벌리고 멍하니 나를 쳐다봤다. 그 광경을 부모님이 보고 말았다. 아버지는 아무 말도 않고 내게 등록금을 줬다.